![]() He grew up on the Northern Beaches of Sydney with a younger sister and brother, and attended Seaforth Public School for primary school and St Augustine's College, Brookvale and Mosman High School for secondary school. His father, Glen Streten, is a filmmaker and record producer, and his mother, Lyndall, is a horticulturist and former teacher. Harley Edward Streten was born on 5 November 1991 in Sydney. His third mixtape, titled Arrived Anxious, Left Bored was released in May 2023. In February 2023, he released his second mixtape, Things Don’t Always Go the Way You Plan. His third studio album, Palaces, was released in May 2022. In 2019, he released a mixtape, Hi This Is Flume, to positive reviews. After the release of Skin, Flume released Skin Companion EP 1 in November 2016 and Skin Companion EP 2 in February 2017 as the album's B-side EPs. The album gained international recognition from the album's first single, " Never Be like You", which was nominated for Best Dance Recording. The album won the Best Dance/Electronic Album at the 2017 Grammy Awards. His second studio album, Skin, was released in 2016, again topping the ARIA Albums Chart. His self-titled debut studio album, Flume, was released in 2012 to positive reviews, topping the ARIA Albums Chart and reaching double-platinum accreditation in Australia.įlume has remixed songs from such artists as Lorde, Sam Smith, Arcade Fire, Hermitude and Disclosure. He is regarded as a pioneer of future bass who helped popularise the genre. Lockjaw, like everything these two artists make, is an experience.Harley Edward Streten (born 5 November 1991), known professionally as Flume, is an Australian DJ and music producer. Putting it on repeat reveals a lot of fine details and incredible production value: only Flume and Chet Faker could make it sound as if the music you’re hearing is coming from above and below you, as well as the left and right channels of your stereo speakers. It makes you wonder what Flume’s sophomore record Skin, due at some point this year, is going to sound like.Īt three tracks long, Lockjaw is short and sweet, and easily digestible. What’s most interesting about Lockjaw is what it says about Faker’s career progression: the EP nearly perfectly bridges his styles as he moved from Thinking With Textures to some of Built On Glass’s more evident pop tonalities. And Faker stretches himself to match Flume’s pop sensibilities. ![]() While Flume has a great sense of beat and rhythm, and is more than willing to break tradition to try something new, on Lockjaw he breaks that tradition to cater more towards Faker’s voice. Flume’s electronic synthesizers pair well with Faker’s wobbly, broken-sounding voice and result in something that sounds more like an amalgamation of both of their styles than it does the sound of Faker or Flume alone. And Flume has an uncanny sense of pop music in all his electronic influences. Faker’s unique voice and ability to think in textures sets him apart from nearly all his contemporaries (with perhaps the exception of Sylvan Esso). Flume and Chet Faker are two of the biggest names in electronic and alternative music today, just off the success of their solo records.
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